A major reason why I started reading more and more Image Comics in the last year or so was because of this guy. The Infinite Vacation is probably my favorite work of his to date, but if you’ve been reading this blog enough I just about flipped out at Bedlam. I’ve fallen off Morning Glories because I’ve been reading it in trade.
Also, I want to know if it’s in the Marvel exclusive contracts that they start Tumblrs, because I feel like most of the staff is on this service. If so, sweet.
BEDLAM is a very sick and twisted book and I love it. Like everything about this book makes my skin crawl, right down to Fillmore’s doctor [in the third panel].
Riley Rossmo’s NY Comic Con variant cover to BEDLAM #1. I’m not going to NYCC, because I’ll be heading down there for Halloween and I just can’t justify two trips to the city in the same month, but this cover nearly makes me want to go down there just for this issue alone. (Also the preview is deliciously messed up.)
Also, also there may be some COLLECTIVE news coming out during the con so stay tuned.
From T.H.U.N.D.E.R. AGENTS, vol. 2, No. 1, written by Nick Spencer and drawn by Wes Craig.
I really liked this particularly human moment between Colleen and Toby where they’re talking about the Menthor helmet and how Jennings, the creator of the suits the agents wear that give them their power, put a safeguard into the helmet. The inventor, Colleen says, “realizes he can’t always make the wearer of the helmet a good person. He realizes there will be military applications and he can’t force morality on the machine outright,” but it can “improve the human condition.”
The helmet makes the wearer do something that will improve the condition of the person. It will protect the philosophy of what makes us who we are. That’s going above and beyond in terms of justifying power and I think that’s why this series is one of my favorites of the year, because the drama is rooted in character and the superhuman suits these people wear have a cost on the lives of the people who wield them.
Also, I thought it was rather sad that Cafu was put on another book, but I have to say Wes Craig’s character work is really great. The expressions alone have a distinct, perfectly human affectation to them.
Man, I wish I had any kind of ability to be out there. There’s a few things I would go to: Stories and Scripts with Brubaker, Hickman, Seagle (one of my childhood favorite writers), Spotlight on Saga (obvs), Writing Workshop with John Layman. His scripts are amazing if you haven’t seen them.
“To me, the good high concepts are not the maybe the Hollywood logline. For me, coming up with a good science fiction high concept, which is what I do a lot of, is about finding the mirror. It’s about finding what is the human story that you can tell with that little bit of science fiction. On, say, existence — you have the logline, which would be “a physicist finds himself transferred into the body of the hitman that just killed him, and now he has to solve his own murder.”
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Nick Spencer, from this Writer’s Workshop at Newsarama. This is a long read, but worth it if you’re a writer of any kind but especially if you want to be in comics. It’s alot of process, but there is quite a bit of valuable stuff, especially the stuff about the Mort Numbers which is something I kinda-sorta figured out the hard way.
writes about nerdy things celebrates those things as an English teacher, and is the co-founder of the production house ADK MOGUL. He lives in the mountains. Thanks for reading; feel free to leave a message, and please don't ask if he's D(e)Press(e)d.