The Latest:

This weekend my friends came to visit while on their way to Old Forge. Francis and Flori are near and dear to my heart, I was one of the best men at their wedding and I read a terrifically awful speech about the soundtrack of their relationship. They insist that I’m too hard on myself, but I secretly know that while it was heartfelt, I definitely killed the mood, whereas our friend Chris—who shared my best man responsibilities—told a funny story and I should have gone with something more light-hearted rather than annoyingly sentimental. Anyway, Francis and Flori came up this weekend, and they are expecting their first child. Along with them my COLLECTIVE collaborator Christopher Irving stopped around, and we all talked about how lives have changed and progressed since I left NY, and I can’t help but feel some remorse that I’m no longer there to share in their adventures, or know when I’ll be able to make it there to see them again. With the Stock family embarking on this new adventure, I can’t help but feel out of the loop since this is the first time since 2003 that Francis and I have been separated by five hours. For seven years in New York we hung out almost every weekend so it has been a bit difficult for me to not see him on a regular basis anymore.

I hate to say it but it’s impossible to not compare the two. Great things are happening to me since I made the choice to come home: my new job teaching at Paul Smith’s, Mogul and the stuff we’re building, the Regional Theater Development project, and all the other things currently going on, but I can’t help but think that not so much has really changed.

Besides my facial hair.

I’m up to my neck in stuff to do, and have begun corresponding with one of my colleagues at Paul Smith’s as we’re embarking on our freshman effort at teaching composition. My life here is doing exactly what I hoped: it gives me the opportunity to do the things I care about that New York was not doing for me. This is all great and now I firmly live in the thought that choosing to come here was the right thing for me to do. At the same time, I have thoughts on whether I’ll ever be able to do anything but work. Primary among those thoughts is will I find love besides my work? Will I be able to juggle all of it?

My parents continually say that you move to New York or whatever other big city to figure out what you want to do and where you want to live the rest of your life. After you’ve made your choice, that city goes on long after you’ve left; your friends, colleagues, and connections you made continue, and you end up in the place where you can explore your full potential. I wonder if I’ve become less interesting since leaving New York or more? I feel like I’m heading in the right direction, but more than anything else I’m addicted to my work, and I don’t think I have time for anything else, and this makes me very sad.

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housingworksbookstore:

Leaping Tall Buildings gives a historical survey of the comic book medium through photographer Seth Kushner’s unique portraits and Irving’s interview-based essays. The pair are celebrating the book’s release through this benefit panel at Housing Works. “Through their revolutionary work on both Batman and Green Lantern/Green Arrow, Adams and O’Neil literally redefined the superhero, pushing the genre into wider social acceptance and more mature themes,” Irving, who is also a Housing Works member, says. “When you think of what they each did on their own, and then look at their combined efforts, it’s mind-blowing. Getting to moderate the two of them together is beyond an honor for me—it’s a once in a lifetime opportunity.” (via Graphic Novel and Comic Book Creators in New York City - Graphic NYC)
NEXT WEEK. COME ALL YE COMICS NERDS. So very excited for this one. 

Go to this! THE COLLECTIVE co-writer Chris Irving is talking to these legendary creators. I wish I wasn’t five hours north and producing a short film otherwise I’d come down. Housing Works is one of the many places I miss after leaving NYC, but this should be really great. 

housingworksbookstore:

Leaping Tall Buildings gives a historical survey of the comic book medium through photographer Seth Kushner’s unique portraits and Irving’s interview-based essays. The pair are celebrating the book’s release through this benefit panel at Housing Works. “Through their revolutionary work on both Batman and Green Lantern/Green Arrow, Adams and O’Neil literally redefined the superhero, pushing the genre into wider social acceptance and more mature themes,” Irving, who is also a Housing Works member, says. “When you think of what they each did on their own, and then look at their combined efforts, it’s mind-blowing. Getting to moderate the two of them together is beyond an honor for me—it’s a once in a lifetime opportunity.” (via Graphic Novel and Comic Book Creators in New York City - Graphic NYC)

NEXT WEEK. COME ALL YE COMICS NERDS. So very excited for this one. 

Go to this! THE COLLECTIVE co-writer Chris Irving is talking to these legendary creators. I wish I wasn’t five hours north and producing a short film otherwise I’d come down. Housing Works is one of the many places I miss after leaving NYC, but this should be really great. 

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Barbette, designed by Reilly Brown, is the fourth and final member of THE COLLECTIVE. A Tyler Durden type who hunts down online ne’er-do-wells, and is in public life actually a delicate mouse with an office job. She’s impulsive, brash, and is always the first one into a fight, but as she grows through the series she becomes the protective sort, looking after Diaspora.
Created by Leaping Tall Buildings editor Christopher Irving and this extremely lucky guy, you can read more about THE COLLECTIVE in Drawn Word #2, currently available for a dollar. 

Barbette, designed by Reilly Brown, is the fourth and final member of THE COLLECTIVE. A Tyler Durden type who hunts down online ne’er-do-wells, and is in public life actually a delicate mouse with an office job. She’s impulsive, brash, and is always the first one into a fight, but as she grows through the series she becomes the protective sort, looking after Diaspora.

Created by Leaping Tall Buildings editor Christopher Irving and this extremely lucky guy, you can read more about THE COLLECTIVE in Drawn Word #2, currently available for a dollar. 

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THE COLLECTIVE character sketch #2: DIASPORA is a fifteen year-old orphan named Yuko, whose parents were burglars. Her parents haven’t quite let her go, and like clingy parents they sometimes interfere with her life. Designed by Reilly Brown, Diaspora will appear in the second prologue to THE COLLECTIVE, coming very soon written by Graphic NYC’s Christopher Irving and this lucky guy, settled in his Adirondack mountain home. More details including who our interior artist will be coming soon!
Check out the complete preview in DRAWN WORD #2 out now.

THE COLLECTIVE character sketch #2: DIASPORA is a fifteen year-old orphan named Yuko, whose parents were burglars. Her parents haven’t quite let her go, and like clingy parents they sometimes interfere with her life. Designed by Reilly Brown, Diaspora will appear in the second prologue to THE COLLECTIVE, coming very soon written by Graphic NYC’s Christopher Irving and this lucky guy, settled in his Adirondack mountain home. More details including who our interior artist will be coming soon!

Check out the complete preview in DRAWN WORD #2 out now.

(Source: thedrawnword.com)

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Catboy character design by Reilly Brown! Dash Brooks of the Iroquois tribe wields the totem of the cat, giving him feline powers. As a hero in the St. Lawrence river valley, Dash has been given the name of Catboy by his legion of Facebook fans who believe he is the superhero avatar for the Furry community.
He joins THE COLLECTIVE in issue one to apprehend Gearhead or risk his private identity exposed to his legion of fans. Created by Christopher Irving and this extremely lucky guy, THE COLLECTIVE will be a mini-series coming very soon. Stay tuned to Drawn Word.com for more information.   

Catboy character design by Reilly Brown! Dash Brooks of the Iroquois tribe wields the totem of the cat, giving him feline powers. As a hero in the St. Lawrence river valley, Dash has been given the name of Catboy by his legion of Facebook fans who believe he is the superhero avatar for the Furry community.

He joins THE COLLECTIVE in issue one to apprehend Gearhead or risk his private identity exposed to his legion of fans. Created by Christopher Irving and this extremely lucky guy, THE COLLECTIVE will be a mini-series coming very soon. Stay tuned to Drawn Word.com for more information.   

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Alright, well: Earlier tonight my friend Chris Irving announced a project we’ve been working on since February. It’s called THE COLLECTIVE and here’s a sneak coming out in The Drawn Word #2 with character designs by Power Play’s REILLY BROWN!
I’m over the wall, dancing on top of the wall, spraying champagne, excited about this, because this is—well—it’s my first writing gig! I don’t think I can thank Chris enough in his kind consideration and approaching me regarding this project and, seriously, I was so excited when he sent me these designs I nearly jumped into traffic.
Over the next couple of days, we will get further in depth, but I sincerely hope that you all will check this out, because most of you very kind readers know that I’ve been working and building towards writing comics and with Chris’s kind shepherding, I sincerely hope you’ll check out my freshman effort, coming very soon.  
Check out the rest of the announcement over at Drawn Word.com. Alright, well: Earlier tonight my friend Chris Irving announced a project we’ve been working on since February. It’s called THE COLLECTIVE and here’s a sneak coming out in The Drawn Word #2 with character designs by Power Play’s REILLY BROWN!
I’m over the wall, dancing on top of the wall, spraying champagne, excited about this, because this is—well—it’s my first writing gig! I don’t think I can thank Chris enough in his kind consideration and approaching me regarding this project and, seriously, I was so excited when he sent me these designs I nearly jumped into traffic.
Over the next couple of days, we will get further in depth, but I sincerely hope that you all will check this out, because most of you very kind readers know that I’ve been working and building towards writing comics and with Chris’s kind shepherding, I sincerely hope you’ll check out my freshman effort, coming very soon.  
Check out the rest of the announcement over at Drawn Word.com.

Alright, well: Earlier tonight my friend Chris Irving announced a project we’ve been working on since February. It’s called THE COLLECTIVE and here’s a sneak coming out in The Drawn Word #2 with character designs by Power Play’s REILLY BROWN!

I’m over the wall, dancing on top of the wall, spraying champagne, excited about this, because this is—well—it’s my first writing gig! I don’t think I can thank Chris enough in his kind consideration and approaching me regarding this project and, seriously, I was so excited when he sent me these designs I nearly jumped into traffic.

Over the next couple of days, we will get further in depth, but I sincerely hope that you all will check this out, because most of you very kind readers know that I’ve been working and building towards writing comics and with Chris’s kind shepherding, I sincerely hope you’ll check out my freshman effort, coming very soon.  

Check out the rest of the announcement over at Drawn Word.com.

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The Drawn Word #1 is out!